Daniel zambrano gay

There’s often a perceived divide between “artistic” and “commercial” work, but I believe this distinction is outdated. I’ve learned that it’s not just about who you know, but about building genuine, long-lasting professional relationships.

Lastly, I wish I’d known more about the importance of personal branding for directors and creatives.

Through our network of trusted partners, we ensure top-quality production services across various Latin American locations. I’ve worked on major campaigns for global brands, directed content for a global perfume brand, and I’m currently developing my first feature film.

For potential clients and collaborators, I want them to know that OHOS Media is all about bringing fresh eyes (hence our name, which plays on the Spanish word for eyes, “ojos”) to every project.

I’m driven by the belief that great stories can come from anywhere, and that diversity in storytelling leads to richer, more impactful content.

One of my key missions is to dismantle the invisible barriers that often exist between different markets and cultures in the film and advertising industries.

We aspire to be catalysts for change in the industry, promoting multilingual productions, diverse viewpoints, and cross-cultural collaborations. Filmmakers like Alejandro González Iñárritu, Alfonso Cuarón, Wong Kar-wai, Michael Haneke, Xavier Dolan, and Spike Jonze have had a profound impact on my artistic vision.

While my roots are in cinema, I’ve developed a genuine passion for commercials.

In New York, and the U.S. in general, your network is crucial. I started working at a production company called Kiru Spots while still in university, doing everything from running errands to assisting on sets. I see them as an opportunity to tell impactful stories in a condensed format, blending artistic vision with strategic communication.

Understanding things like visa requirements, international tax laws, and the nuances of contracts in different markets would have been incredibly helpful early on.

Networking is another area where I wish I’d had more resources or guidance. We understand both the U.S. and Latin American markets, allowing us to create content that resonates across cultures.

Lastly, I’m always open to connecting with passionate, talented individuals.

It’s been a constant process of adjustment as the company grows. As a director, my focus was always on the artistic aspects of filmmaking, but running OHOS Media has been a crash course in entrepreneurship.

I’ve had to figure out a lot on the fly – how to create and run a competitive business, build a brand from scratch, pitch to potential clients daily, and always have that elevator speech ready.

Our commitment to excellence is unwavering; we only engage in projects where we can guarantee the highest standards of quality and professionalism.

The logic behind this venture was clear: by leveraging my experience in both the US market and my understanding of Latin American talent and production capabilities, we could create a unique synergy.

But if I had known about their importance earlier, I might have been able to navigate some challenges more smoothly. This realization sparked the idea for a company that could effectively bridge this gap, playing a universal role in enriching the US industry while simultaneously elevating project quality by incorporating talents from culturally rich countries.

OHOS Media, whose name is a play on the Spanish word for “eyes” (ojos pronunciation), was founded with the mission of bringing fresh perspectives to every project.

The lines between film, advertising, and digital content are blurring, and I see this as an exciting opportunity. It’s not just about creating great art; it’s about creating sustainable art. By doing so, we believe we can significantly enhance the quality and relevance of projects in an increasingly global media landscape, while also providing US productions with exciting new opportunities to create world-class content in Latin America.

As always, we appreciate you sharing your insights and we’ve got a few more questions for you, but before we get to all of that can you take a minute to introduce yourself and give our readers some of your back background and context?

I’m Daniel Zambrano, a Colombian filmmaker and director now based in New York City.