Is victor frankenstein gay
Home / celebrities people / Is victor frankenstein gay
Before killing William, the creature’s eyes fall on the locket that William is wearing, and he sees the portrait of Caroline Frankenstein, which is yet another example of the mother’s image being associated with death. Once the creature puts the locket in Justine Moritz’s keeping, which leads to her being blamed for the crime, he continues what Frankenstein initially started alongside erasing motherhood, which is eradicating femininity.
Having confronted his creator, the creature makes a deal with Frankenstein so that he creates a female companion for him, one alike himself, in exchange for the creature being as far away as possible.
Nevertheless, Victor’s joy is immediately replaced with a deep-seated resentment as he is ashamed of the creature’s sluggish development. He was the parent I came out to first. Their first encounter also involves comparing their hand sizes, illustrating their human nature and kind-hearted identities.
When Frankenstein maniacally sets out to derive life out of death, he queers »the very notion of God«.
The following essay contains spoilers of Frankenstein (2025).
Guillermo del Toro, maestro of macabre, has made so many creature features hinging on the same theme: What if, get this, the monster is man? With Frankenstein dead, fatherhood lies in its grave too.
The queer journey that started from seeking life out of death, as Frankenstein aims it, returns to death once again. Once Frankenstein kisses Elizabeth, he does not wake the mother from the dead similar to a fairy tale, nonetheless, he reduces the mother’s substitute to the mother’s morbid corpse. Life and death turn into tangible concepts to him, which he intends to overcome.
Looking at it from a psychological view, Victor Frankenstein leans toward fatherhood for the immortality it potentially offers, before understanding that fatherhood’s mortality is even more vulnerable than motherhood’s.
It is after Caroline’s death that Frankenstein leaves Geneva and starts his journey. Elordi and Isaac share an unmatched moment when the creature utters Victor’s name as his first word, Victor beaming with unfathomable parental pride, the creature smiling. It was an historical subject, painted at my father’s desire, and represented Caroline Beaufort in an agony of despair, kneeling by the coffin of her dead father.«
When Caroline dies, it is because of her affection for Elizabeth Levenza, Frankenstein’s future wife, whom Caroline cares for remarkably.
When someone is othered, they end up falsely portrayed by privileged individuals like Victor as more monstrous, more threatening. The monster who simply doesn’t belong anywhere but wants to be seen and to exist can be mapped onto to many LGBTQ experiences of many spectrums.
GDT’s iteration is very father-son heavy, almost continuing his daddy issues threads from Pinocchio. But in lieu of the creature’s navigation of experiencing existence for the first time, it inadvertently captures a they/he perspective.
Victor Frankenstein succeeds in creating life out of lifeless matter and creates »the monster«, a lost and nameless creature that will take everything that he cares for away from him. Département de littératures et de langues du monde
But the reality is also that the ways queer and trans people are denied love and care by straight society do instill understandable rage. Although it is hinted at times that he condemns his mother’s death for what passes afterwards, scholars and readers alike believe that Frankenstein’s incentive for leaving Geneva and starting to seek out life and reanimating deceased beings comes from his desire to resurrect the mother.
As someone whose pronouns are exactly those, I found it to be an empathetic navigation of the differences between masculinity and humanity.
The film’s two-part framing device consists of Victor Frankenstein (Oscar Isaac) and his creature (Jacob Elordi) narrating their respective stories to Captain Anderson (Lars Mikkelsen) like a testimony dissecting who the true monster is.
Within Victor’s rather overlong, albeit entertaining, portion, we learn he’s the inheritor of generational trauma.
Chaire de recherche du Canada sur les écritures numériques